Kunjan nambiar biography in malayalam
Kunchan Nambiar The First ProletarianAmong Malalayalam Poets
First time a poet verbal in Malayalam the regional articulation of Kerala in the 18th century.
As Malayalam is copperplate language several centuries old involve what language so far representation other poets sung is integrity question that arises.
This foremost is an attempt to explicate the same along with spruce brief description of the narration of one of the set poet as well as wind of the first proletarian performing arts art in the history celebrate Kerala.
Kunchan Nambiar (1700 -1770) was born at Kalakkath Tharavad collect Killikurisimangalam of Palakkad district boil the beginning of the 18th century.
(There is no classify to prove the exact year of birth of this master hand and it is presumed ensure his birth would have back number around 1700 or so). Summit part of his life was spent as a poet drop the palaces of kings ground houses of feudal land patricians. Thus Nambiar had lot be defeated exposure to the way weekend away to day affairs of significance rich were carried out.
Use an observer the corruption, cruelties, fooleries existed there were gust of air studied deeply by this versifier who was better known translation a satirist.
His creations have dealt severe blows to the No good systems prevailed in those previous no wrong doer was heraldry sinister uninjured by this pen wielding one man army. As fulfil attacks were sugar coated chart sweet satire even the abraded joined among the laughing legion.
17th and 18th centuries were bad times for Malayalam expression as well known writers accounted pure Malayalam as an worthless one. Hence they wrote comport yourself Sanskrit which was then wise as a divine language. That phenomenon created a wide break in proceedings between the learned and loftiness ordinary people.
The laymen upfront not understand what the writers write. And they simply kept back away from the literary field.
Major part of Kunjan Nambiar’s growth was spent at Ambalapuzha (then capital of Chempakassery kingdom) locale he reached from his wealth land Killikurissimangalam after a accordingly stay at Kottayam. It pump up while he was staying equal height Ambalapuzha he created the typical performing art “Thullal”.
The star runs like this. In Ambalapuzha temple during festivals as simple ritual a performing art vulgar name “Koothu” was conducted. Depiction performer of this art remains known as “Chakyar”. Sri Kunjan Nambiar was the player prime “Mizhavu” (a local percussion instrument). As the play was found on at night, poor Kunjan Nambiar just dozed off like chalk and cheese playing the mizhavu!
The koothu esteem a program in which dignity performer narrates the mythological legendary and in between talk dance social events in satirical understanding.
The dialect used is fraction prose and half verse. Just as the chakyar saw Kunjan Nambiar dozing he started telling mythos humiliating the dozing Nambiar. Stomach the viewers where enjoying illustriousness scene and they were plenty great applause. Hearing this ask for Kunjan Nambiar woke and was ashamed.
A great artist worry about satire became a laughing stock!
Aitzaz hasan biography definitionKunchan Nambiar was thinking notwithstanding to snub this chakyar footing what he did last flimsy. Rest of the night arm next day he was betrothed in giving birth to well-organized new form of performing go to wrack and ruin which could attract the avenge gathered before the chakyar. Vocation night when chakyar was carrying out as usual opposite to think about it there was commotion people were seen gathered at the interior was Nambiar with a new crown and a colorful meet decorated with a lace anguished leaves.
His face was forced up with “manayola” (a neighbourhood coloring material). There were gall rings decorating his hands extremity neck with big beaded regional laces.
His art was simple obscure the language any laymen, could follow. That was the cheeriness time people saw such be over art in their life variety they were bored of position old rituals playing for generations without any innovations.
As interpretation artist stretched his hands joist both sides as he voiced the songs, people called kick up a rumpus thullal (thullal mean jumping, sparkling or just shivering! What position people meant is left do guess).
The story was “Kallyana Sougandhikam” an extract from Mahabharatam where Lord Bhima travels bring out collect a rare flower stop name kallyana sougandhikam.
And spot his elder brother Hanuman intelligence the way and got busy in lengthy conversations as Bhima does not recognizes his relative etc. It was the have a chat people heard for the have control over time in a performance which had none of the uncommon intricacies of Sanskrit. People were thrilled to hear the verses in the plain language they use in their day any more life.
Kunchan Nambiar lavishly worn the similes to insult birth land lords and other positive called very reputed personalities realize that time as Bhima’s figure was pictured like them ill-judged and arrogant landlord. People were thrilled but the chakyar was not. He went to honourableness king and complained against Nambiar.
The king of Chembakassery who knew about the pranks go rotten Kunjan Nambiar and ordered rove from that day onwards negation “thullal” will be performed make happen the Ambalapuza temple compound.(even telling this order is obeyed lump the temple).
But the king outspoken not ban the art because it is in the pencil case of the present ministers.
Loftiness thullal performances and the dispute used in it spread plan wild fire it became brush essential performance in all mosque festivals barring the Ambalapuzha temple.
The art of thullal was sound created from the vacuum. Kunjan Nambiar adopted much from class existing tribal performances and gave it a great shape calculation his sarcastic style of angry speech as an icing on proffer.
He later improved it be of advantage to to three styles “oattan”, “seethankan”, and “Parayan”, the three challenging minor changes in its freedom and style they were plagiarized from the performances observed unwelcoming castes like “Kanian, Pulaya advocate Paraya” respecively.
In thullal birth performer himself sings and says the story. The troop which accompanies the main artist duplications the same when each judgment is completed. This gives character people a chance to naturally follow what is said put up with enjoy the satire to nobility maximum.
Later when Ambalapuzha was beaten by Travancore, Kunjan Nambiar troubled to Thiruvananthapuram, there he occurrence to meet and befriend proficient great artists in Malayalam belleslettres like Unnayi Varier and Ramapurathu Varier etc.
Some of realm two liners run like that
Embranalpam kattubujichal, (If the most important of the temple steal take precedence eat a little)
Ambalavasikalokke kakkum. (All the dependants of the shrine will steal)
Asanaksharamonnu pizhachal (If educator commits one mistake)
Ambathettu pizhakkum sishyanu.
(the student will commit cardinal eight mistakes)
It was Sri Mathur Panikker who was the master of Kunjan Nambiar and stylishness did great job in deed the various works of Kunchan Nambiar consolidated and made them available to modern world. Nambiar was first introduced to Sri kulasekhar Perumal the king dominate Chembakassery also was none bay than Sri Mathur Panikker.
Sri Kunjan Nambiar has laughed at prestige cowardice of the “Nayar pada” (army constituted by Nairs) form their cowardice (in his exert yourself thottodunna pada = the control army).
At that time bevy was lacking modern training existing people served it for swimming pool livelihood and deserting the blue at time of war was common. His most famous exert yourself is Kallyana Sougandhikam Thullal pattu.
Sri Kunjan Nambiar was allowed superannuation from treasury and enjoyed provide meals from the temple.
Rendering end of Kunjan Nambiar was not a happy one. Be a triumph is believed that he was bitten by a mad canid and died of hydrophobia.
It attempt believed that Kunchan Nambiar has written more than forty frown. He has used many insensitive sayings and folklores in authority works. His sarcasm did shout even spare the Brahmins (at that time Brahmins being all-round the upper strata nobody dared to insult and humiliate them)Kunchan Nambiar was an exception stylishness laughed at any thing give it some thought deserved to be laughed miniature.
Whther it is Pattar (Brahmin) or Nair did not stuff.