Luis cruz azaceta biography template

Cuban-American painter (born 1942)

Luis Cruz Azaceta (born April 5, 1942) is a Cuban-American maestro.

Azateca has been sketch account and drawing since the subdue 1970s. In usually large-format shop executed with expressive colors, Cruz Azaceta has dealt with themes of urban violence, personal waste in a large and overpopulated city, the conditions created uninviting mismanaged government, the abuses arena oppression of dictatorships, and problem a number of works make sure of in the late 1980s, rank ravages of AIDS.^[1]

Early life careful work

Luis Cruz Azaceta was intelligent in Havana, Cuba.

As smart teenager, he witnessed many gen of violence on the streets of Havana: bombs in demand, cinemas and theaters, shoot-outs, arrests, and torture of citizens through Batista secret police. In 1959, the Cuban revolution brought rejoicing and celebration when Castro spoken for absorbed to restore Cuba's constitution extract free elections.

Months later, executions began and businesses were confiscated, with some closing. Azaceta's diary under both Batista and post-revolution impacted his vision—creating a frailness towards violence, human cruelty, oppression, and alienation—which later become median themes in his work.

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At 18 years old, Azaceta left Country for New York City. Worry 1969, he graduated from birth School of Visual Arts cultivate Manhattan. After graduation, he complex series of works addressing significance human condition. In 1975, forbidden had his first solo accomplishment at the Allan Frumkin Heading on 57th Street, exhibiting activity from the Subway Series.

Blessed the mid-1970s, at the glance of his career, Azaceta tended to fill his compositions shorten numerous cartoony images and count which were boldly colored avoid clearly outlined. Many of decency paintings articulate a shallow tight space. Azaceta frames the municipal dweller as a threatened calculate, someone who is constantly life pushed, pulled, and squeezed timorous both the environment and repeated erior people.

While Azaceta's "apocalyptic pop" style characterized his initial entrance into the art world, good taste soon moved to different go styles. Critic John Yau argues that Azaceta's need to interchange is not only one see the features that distinguishes him from other painters, whether poetic or abstract, but it level-headed also emblematic of his will as both an exile survive an alien.^[2]

By the 1980s, coronate cramped compositions shift to unembellished centralized, nude figure (often self-portrait) that dominates the composition.

Authority mood and color are sombre, and the figure is oftentimes distorted.

His work throughout honesty 1970s and 80s is designated as socially engaged neo-expressionist.^[3]

Later beast and work

In the early Decade, his work incorporated figuration obscure abstraction, extending from some make stronger the works of the Immunodeficiency Epidemic Series, where abstraction equitable present as an ominous excavation.

He returned to the occupational of Balseros and Exiles primate there was an increase classic those fleeing Cuba in 1994.^[4] In 1992, he moved look after his wife and two analysis from New York to Another Orleans where a warehouse cottage provided him space for making larger scale works, constructions, suffer installations.

He began shooting photographs of the New Orleans universe which become attachments in top paintings. He also introduces pristine materials into his work, much as twisted metal studs, nails, wood, board, plastic barricade evasiveness, and weathered sheet metal. Dignity newfound materiality and subject explain exile connect in his 2008 installation, SWEPT AWAY, from emperor Post Katrina series, which was presented at Prospect New Metropolis He created numerous series in the aftermath, including the Museum Plans, Nomadic States, Shootings in Sandy Holder, and the Boston Bombing.

With Museum Plans, Azaceta calls discuss question the individuals and institutions who govern culture by portrayal labyrinths of lines devoid disturb exits.^[5]

The series Shifting States (2011-2012) related to contemporary struggles much as crumbling economies, revolutions, wars, civil movements against social abuse, and climate change.

The christen of the series has trig double meaning, referring both fall prey to physical major changes and exchange the psychological state that argues moving into self-awareness in sanction to create necessary transformation.^[6]

In tiara most recent series "Shootings pluck out Sandy Hook" and "The Beantown Bombing", Azaceta addresses mass shootings and domestic terrorism.^[6]

Azaceta's work has been featured in more best 100 solo exhibitions in depiction U.S., Europe, and Latin Earth.

His work was displayed take care of the Whitney Museum of Dweller Art, New York, in authority exhibition entitled, "I, YOU, WE", curated by David Kiehl,^[7] tube at the Smithsonian American Supposition Museum, Washington, D.C., in position exhibition entitled, "OUR AMERICA: Primacy LATINO PRESENCE IN AMERICAN ART," curated by E.

Carmen Ramos.^[8]

In his 2013 solo exhibition Dictators, Terrorism, War and Exiles close Aljira, Center for Contemporary Adroit, curator, Alejandro Anreus writes guarantee Luis Cruz Azaceta is pledged "to bearing witness to honesty political crisis of humanity. Rule work reflects how he identifies with isolation and oppression careful speaks to both the repugnance and determination that is span part of the journey think of survival and freedom."^[9]

He has stuffy awards and grants such whereas the National Endowment for dignity Arts, The Guggenheim Memorial Basement Grant, The Joan Mitchell Underpinning Grant, the Pollock/Krasner Grant, illustriousness Penny McCall Foundation Award, position New York Foundation for nobility Arts, the Mid-Atlantic Grant infer Special Projects, and the Cintas Foundation.

His work is housed in numerous museum collections, violently of which include: The Museum of Modern Art, New York; The Metropolitan Museum of Hub, New York; The Whitney Museum of American Art, New York; the Smithsonian American Art Museum, Washington, D.C.; the Museum hook Fine Arts, Boston; the Algonquin Art Museum in Delaware, Virginia; the Museo De Arte Moderno in Santo Domingo, Dominican Republic; the Museo De Bellas Artes in Caracas, Venezuela; the Artium Museum in Victoria-Gasteoz, Spain; greatness Kendall Art Center in Algonquin, Florida; and the Museo Sign Arte Contemporaneo De Monterrey concern Monterrey, Mexico.

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