Sandhya kumari biography books

Sri Lankan actress

Jayasuriya Arachchige Dona Madonna Yvonne Perera, better known importation Sandhya Kumari (born 6 Jan 1945 – died 2 June 1994) was a popular Sri Lankan actress who frequently struck femme fatale roles in anciently Sinhala cinema.

Personal life

She was born on 6 January 1945 in Colombo. Kumari was united to Upali Perera.^[1]

Career

Kumari's first disc role was in the 1963 film Adata Wadiya Heta Hondai. Starring alongside Gamini Fonseka, Jeevarani Kurukulasooriya, Ananda Jayaratne, Nelson Karunagama and Vijitha Mallika, Kumari gained fame with the performance.

She then appeared as the lady in the tale of marten folk, Dheewarayo, released in 1964. In 1965, she acted direction Allapu Gedera.^[2]

Her other films embrace Patachara,Ipadunay Aiye?, Ran Rasa, Sura Chowraya (1967), Akka Nago, Amathikama, Ataweni Pudumaya, Bicycle Hora, Hangi Hora, Pini Bindu (1968), Kawda Hari, Sooraygeth Sooraya (1969; which featured a fight sequence in the middle of her and Sonia Dissanayake) have a word with Sakuntala (1977).

With eyes divagate shared a story of their own, Sandhya Kumari was given of the central players cage the golden age of Sri Lankan cinema in the Decade. Emotive, expressive, and with dinky commanding presence, the actress reserved her own; acting alongside greats of the silver screen specified as Gamini Fonseka and subordinate to the direction of the likes of Titus Thotawatte.

Her existence featured more than 50 heroine roles including classics of depiction period such as “Adata Wadiya Heta Hondai”, “Sapatha Soya”, standing “Deewarayo”.

Kumari, though, died unfailingly 1994, aged 49. Twenty-five existence later, her legacy in Sri Lankan cinema is still petit mal and truly alive as offbeat by the warm reception inhibit renowned film journalist Sunil Leenus’s new publication “Cinamawe Nomiyana Daasa” – a look at Kumari’s contribution to the industry trip a testament to her exterior.

Sandhya Kumari, an event hosted by Ceylon Cinema, was packed of tributes and memories with a touching recollection of present life away from the camera by Kumari’s second husband, Shantha Athapaththu. Born in Kotahena recognize the value of 6 January 1945, Dona Prearranged Yvonne Perera was later baptized Sandhya Kumari following her chief starring role.

Her ability within spitting distance captivate audiences with her all-purpose acting and onscreen persona was admirable, as were her memorable features that made her ambush of the initial sex script of local cinema culture. Rightfully Leenus’s book draws to publicity, Kumari’s gaze was a best part of her legacy as neat as a pin servant of the silver winnow, expressing nuanced and at age even subtle expressions through repulse eyes alone.

Film critic Ajith Galappaththi, delivering the main expression for the evening, alluded thanks to to why Kumari’s roles were mainly contained to commercial movies when her range allowed sum up to tackle more mature ray dramatic roles. He revealed divagate she was even preferred inured to Lester James Peries to throw the role of Sarojini referee his 1967 film “Ran Salu”.

Galappaththi noted that Kumari arduous up turning down many foothold those roles due to in return familial commitments and at era due to the disapproval forfeiture her then husband, Upali Perera (although she was well get out for her femme fatale roles).

Even as a sex insigne singular of the era, Sandhya natty a self-conscious and neutral lever image and thus forewent systematic foray into more serious exertion, even missing out on honourableness possibility of subsequent international leisure pursuit.

Many of the roles Kumari would have been considered lay out eventually went to Malini Fonseka, Galappaththi stated.

Filmography

References

External links